It's no secret I have a thing for chairs, especially French chairs. From the House of Bourbon to the House of Bonaparte, stiff and straight-backed to padded and tufted, fancy fauteuils to chic chaises, I’m obsessed with French chairs. They’re so much more than just functional objects to sit on. They’re like pieces of art — colorful canvases within exquisite, hand carved frames, some gilded, some painted, some á la capuchine.
With their beautiful upholstery and regal frames, French chairs are the perfect combination of style and function. They work as well with traditional interiors as modern interiors. They bring to mind visions of king’s thrones with ladies-in-waiting, smoky gentlemen’s clubs, and memories made at holiday gatherings. Sit up and take notice of eight of my favorite French chairs.
Dagobert
Thought to be the oldest existing example of European furniture, the Dagobert chair began as an “X” shaped or curule stool in the 7th century. It wasn’t until the Renaissance that backs and arms were added and heavily carved wood versions with grotesque figures appeared. The most notable example, now in the Louvre, is the alleged gilt bronze throne of King Dagobert I (603-639 AD). Though not the comfiest chair, it’s a classic French chair that can easily be incorporated into any decorating style. If it’s fit for a king, it’s fit for you. Grab the Dagobert chair when you need extra seating.
Dagobert
… in pairs, tucked in a corner, in a hallway.
… most often dark wood, carved grotesque figures frame the back of the chair and grotesque faces are found at the ends of the arms, distinctive curule design of the base, where intersecting curves or an "X" define the legs and the seat, they sometimes fold, cushions often added for more comfort.
Os de Mouton (Louis XIII)
During the 17th century, grand dining rooms in châteaux all across France were filled with os de mouton (sheep bone) chairs. Their stately stature and shapely legs give them a classic, timeless appearance — while graceful carvings, paired with upholstered backs and seats with nailhead trim, add elegance. With legs shaped like those of a lamb, this classic Louis XIII chair is the perfect dining chair. Take your seat in an os de mouton chair with friends and family ‘round the dining room table.
Os de Mouton
… at dining tables, as an accent chair, next to a side table.
… sturdy, heavy, fixed upholstery, decorative gilt or silvered nails, more comfortable and were more commonly used for ordinary domestic purposes, os de mouton chair is the most notable example of the era.
Fauteuil (Louis XIV)
Ralph Waldo Emerson once said, "Every chair should be a throne and hold a king.” The high back upholstered armchair with heavy carvings and rich upholstery, known as the fauteuil, was more like a throne during the reign of Louis XIV. While the Sun King ruled, chairs were status symbols and commoners could only hope to own one. A hierarchical seating system featured a fauteuil, majestic and royal by design, for the king and queen to sit upon. Original designs were often signed as proof of their significance. Be the king of your castle. Select the fauteuil as your throne.
Fauteuil
… in pairs, flanking buffets or armoires, as fireplace chairs or library chairs.
… upholstered armchair with straight lines and open sides, elaborate ornamentation reigned supreme, legs were figural, baluster and claw, many with pied de biche (hoof foot), most have stretchers, pads were later added to the armrests for more comfort.
Bergère (Louis XV)
Besides a crusty baguette or a fine Bordeaux, there’s nothing more quintessentially French than the en vogue Louis XV bergère (shepherdess chair), with it’s signature “S” shaped cabriole legs. The 18th century was indeed the Golden Age of the chair, and unlike earlier regal seats, the smaller and more feminine bergère was designed to accommodate the opulent fashions of the day. Chair arms were shortened to account for hoop skirts, while chair backs were lowered to spare huge coiffures. The embroidered silk upholstery was meant to complement the patterns and colors of the boiserie. The carved wood frames, closed arms and loose seats of the bergère blend style and comfort seamlessly and add a touch of noblesse to any room. The bergère’s ability to fit in anywhere speaks to the influence of royal mistresses. You’ll be sitting pretty in a plush bergère.
Bergère
… in pairs opposite a sofa, grouped in a formal seating area, or tucked into a corner of a bedroom.
… included fabric covered panels between the arms and seats, there’s no mistaking the legs, shaped like an animal's hind legs, stretcher supports disappear, easily adapted to suit the needs of all classes, from royal to provincial, every refinement in comfort was attained.
Bergère Corbeille (Louis XV)
Another popular 18th century French armchair, the bergère corbeille, with it’s carved, basket-shaped wood frame above short padded arms and upholstered, loose cushion, was also designed for cushy lounging. Great care was given to the upholstery work in order to achieve the maximum of comfort. Don’t let someone else get your seat. Put all your eggs in this basket. Choose the bergère corbeille everytime.
Bergère Corbeille
… in pairs, opposite a sofa, tucked in a corner.
… feminine, closed arms, a wide seat and basket-shaped back, short padded arms, cabriole legs.
Bergère à Oreilles (Louis XV)
Among the wide range of accent chairs available today, the 18th century French wing chair, the bergère à oreilles (with ears), is easily recognized by its upholstered side “wings” — originally introduced to shield the face from the heat of a roaring fire or to protect the upper body from drafts in cold, damp maisons. It also provided support in case one nodded off. This popular chair is sometimes playfully called a bergère confessionale, as if the occupant were hidden from view, as in a confessional. Cozy up with a book by the fire in a bergère à oreilles.
Bergère à Oreilles
… in pairs, as fireplace chairs, in a library or study.
… protruding and upholstered wings with enveloping and closed forms provide support and comfort to the head, back, and arms, as sophisticated now as it was two hundred years ago.
Prie-dieu
Primarily used for decorative purposes and not usually thought of as an accent chair, the prie-dieu or prayer chair, the seat of which is not intended for sitting but kneeling, makes a great seat for tiny tots. They're perfect for them to sit in at the coffee table while playing board games, doing puzzles, or coloring. They slide in and out from under the table with ease. Gather several in a circle for a game of duck duck goose or musical chairs. They also make a good seat for kids to sit in with an afternoon snack in front of the TV. Need extra seating for the wee ones? Pull up a couple of prie-dieux next time.
Prie-dieu
… used for decorative purposes, in a corner.
… small, ornamental wooden prayer kneeler, padded armrest and seat or knee rest for comfort, carved back, has taken on many forms from desk with bookstand to a kneeler primarily used for private devotional.
Fauteuil Confortable
Now referred to as simply a “club chair,” the famed French fauteuil confortable (comfortable armchair), was an essential part of 20th century luxury furniture, introduced during the late 1920s by way of trendy gentlemen’s clubs. These timeless club chairs exude luxury and character, evoking an era when well-dressed men met and relaxed in plush leather chairs with a good cognac and a Cuban cigar. The original round form was legendary, but it soon evolved and new forms such as the “moustache” back with lip like curves across the back were introduced. Rugged, yet handsome with its clean but, sinuous lines and refinement, the fauteuil confortable is still very much admired today, offering an instant sense of history. Everybody will want to sit in it, so you’ll want more than one, or you’ll have to share. Relax in comfort while watching the big game in the fauteuil confortable.