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French Pottery and Earthenware of France

Pottery with a Purpose

For centuries, the sunny kitchens of Provence have been filled with more than the scent of garlic, rosemary, and simmering duck fat — they’ve been brimming with earthenware charm. Pots, jars, jugs, and bowls weren’t just pretty things to perch on shelves; they were utilitarian pieces — the hard working backbone of the French kitchen. Glazed in cheerful shades of yellow, periwinkle blue, creamy white, or the coveted green glaze collectors swoon over, French pottery held confits, creams, and jams, kept vegetables clean, dishes sparkling, and carried water and wine from home to field. Functional? Oui. Fabulous? Absolutely.

 


Perfectly imperfect: chips, drips, and Provençal patina never looked so chic (especially with a few hydrangeas tucked in).
 

A Provençal Palette

Before refrigeration, the French trusted their pot de confit — the rustic kitchen essential designed to preserve duck confit — that "slow cooked in its own fat" delicacy we all dream of. These squat and sturdy quintessential French clay vessels are instantly recognizable by their glazed tops and earthenware bottoms. Typically, the upper half of a confit pot was glazed a beautiful yellow color. From mustard to honey to a bright sunshine yellow, it was Vincent Van Gogh who gave these colorful yellow pots their brush with fame, painting them alongside his iconic Provençal sunflowers

 

The word confit, from the French confire, literally  means "to preserve," and once the duck was cooked and cooled, the pots were covered and either buried in the cellar or tucked into a stone-lined larder. Why the unglazed bottoms? Because the glaze tended to peel when stored in the cool dirt. Practical and chic, n’est-ce pas? Properly stored, confit de canard (duck confit) could last the entire winter, sustaining local families through the cold months.

 

And while most pots held enough duck to feed a household, the tiniest single serving pieces are the hardest to find — and the most collectible. No wonder King Henri IV, born near Gascony (home to France’s finest ducks), had barrels of confit shipped to him in Paris during his reign. Some cravings really are royal.

 

 

Yellow hues and bold brushstrokes — Vincent van Gogh, Vase with Twelve Sunflowers, 1888. Oil on canvas, Neue Pinakothek (Munich)

 

Perfectly Imperfect

Of course, not every confit pot earned fame on a painter’s canvas or a king’s table — most showed their beauty the old-fashioned way — through use. Chips, drips, and little imperfections became part of their story, authenticating these hardworking pots as much as the glazes that once gleamed across Provençal kitchens.

 

Glaze colors add even more intrigue. Creamy terre de fer glazes signal Albigeois origins, while those with a periwinkle blue exterior and white interior point to Martres-Tolosone, a small village in southwest France near Toulouse. But the coveted green glazethe rarest of all — has collectors swooning. In the world of Provençal pottery, it’s the quirks and character that drive both charm and value.

 

But confit pots were only part of the story. Provençal kitchens brimmed with earthenware of every shape and purpose — none more versatile than the trusty tian.

 

 

Patina on parade — chips, drips, and glazes.

 

The Trusty Tian

If the confit pot was the king of preservation, the tian was the queen of versatility. Wide at the mouth and narrow at the base, with an unglazed, pale terracotta exterior and a glossy glaze inside and along the rim, this basin-like earthenware bowl was a fixture in Provençal kitchens. Originally made in Narbonne, tians pulled double (and triple) duty — one day used in the preparation of duck confit or a classic cassoulet, the next collecting goat’s milk for cheese, rinsing vegetables fresh from the garden, or even bathing bébés.

 

Form and function worked hand in hand — the broad opening made stirring and scooping a breeze, while the narrow base kept liquids cool. And unlike the noble confit pot, which often retired to the cellar, the tian was always in the thick of things — an everyday workhorse that earned its keep with grace and glaze.

 

 

The trusty tian upfront, the cool cruche behind — the dream team of Provençal kitchens.

 

Cool, Cool Cruche

If the tian was the kitchen’s multitasker, the cruche was Provence’s original water cooler. Half-glazed with two handles, a spout, and often a lid, these jugs kept drinking water refreshingly cool long before insulated tumblers went viral. The largest cruches were sturdy enough to haul water from springs on the backs of donkeys, while smaller ones served cool water in the fields and at home.

 

Their cousins, the gargoulettes, were even more portable — worn on belts like rustic Provençal hip flasks. With long, thin drinking spouts designed for communal sipping (no lips touching required), the pouring spout had a trumpet like shape and was corked to prevent spilling. Practical, charming, and just as clever as any modern thermos, gargoulettes didn't suffer as much breakage as other vessels because of the belt.

 

Cellar to Centerpiece

Today, confit pots, tians, and cruches are more than kitchen workhorses — they’re coveted collectibles admired for their sunny glazes, rustic patina, and endless versatility. With spring in full bloom, it’s the perfect time to bring those vivid yellows, lush greens, and creamy whites indoors. Tuck blooming branches into a confit pot, spoon olives or mustard into a petite confiture jar, or pile fruit high in a tian for that effortless French Country charm. Pair them with an antique breadboard, and voilà — instant je ne sais quoi.

 

Grouped in a cozy corner, lined across open shelves, or stealing the spotlight on your dining table, glazed Provençal pottery adds a playful punch of color and history to any room. And at Easter? Well, these pots make the perfect hiding spots for une très jolie egg hunt.

 


Sunny glazes, spring blooms, and brightly colored eggs — très Provence, très jolie!


À Bientôt!

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Mimi Montgomery

When this self-described Francophile is not reading or writing about all things French, she's dreaming up charming new ways to showcase Lolo French Antiques et More or traveling to France with Lolo to buy delightful treasures for their store. Mimi, Lolo, and their French Bulldog, Duke, live in Birmingham, AL.

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